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Chameleon generated an XML URL, which included everything that we needed for every match during the tournament.

Approximately 870 players took part in the two-week tournament which included 899 games played with over 700,000 spectators in attendance.

Fans got a glimpse of their favorite tennis stars making history, including Naomi Osaka, the first Japanese player ever to win a Grand Slam singles championship and Novak Djokovic tying Pete Sampras record to become third among all-time Grand Slam champions.

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Marquee matches took place at the Arthur Ashe Stadium, alongside a full slate of daytime and evening matches inside the newly re-constructed Louis Armstrong Stadium and the intimate Grandstand Stadium.

Van Wagners responsibilities included both in-stadium screen production for the 3 show courts, as well as the numerous grounds displays showcasing the matches on 16 televised courts throughout the facility.

Marty Dormany of The Academy of Lower Thirds were approached by Nate McCoart, Director of Technical Operations at VWSE Productions to produce a Ross Video XPression -based graphics package for the tournament.

We are thrilled that Alain was able to make that vision a reality with us this year and look forward to continuing our relationship with Bannister Lake and AcademyL3.

Without an all-star team from the designers to the operators, we would never be able to make this happen, especially given the timeline and complex nature of the project.

Nate McCoart, Director of Technical Operations at VWSE Productions.

The signage around the facility included standard 169 video displays, ribbon boards, a vertical tower screen and an 80 foot by 12 foot Superwall in the South Plaza outside Arthur Ashe Stadium.

Having multiple displays with non-standard aspect ratios meant we needed to incorporate Ross new multi-display real-time graphics designer and controller, Tessera feature in XPression.

In addition, the XPression graphic scenes would have to accommodate the variations between Mens Singles, Womens Singles and Doubles.

These requirements were extremely complex and required a mission-critical solution quickly.

Its the industrys most powerful engine for aggregating any data type and its the only way we could have pulled off the US Open project under the extreme time constrictions; that and all the hard work by Alain and the team.- Georg Hentsch, President Bannister Lake.

Its specialty has always been to generate automated rundowns and output tickers for network television and digital signage.

Only recently has Chameleon been utilized for event-based productions; most notably eSports tournaments which typically includes hundreds of matches played over a short amount of time with a large number of players.

Chameleon has tight integration with Ross XPressions API, which meant, dealing with ticker elements such as matches in-progressscheduledcompleted, along with messaging and social media, were treated as broadcast tickers, as oppose to native sequence items.

However, the pressing question was: Does Chameleons ticker support integration with Rosss Tessera option This has never been tested before.

With only 30 minutes of playing around with the feature, we were able to quickly build large formatted scenes, populated with Chameleon data, and generate large scaled tickers for venue and in-stadium signage.

Tessera was created to synchronize the outputs of multiple XPression engines together to create one massive display.

The first project for XPression Tessera was over 21,000 pixels wide and used up to 12 channels.

That can be intimidating, but Alain has done what we hoped others will; tried it and found out it isnt as scary as it seems.

Instead, it can be quite empowering.

This was needed for both the ticker solutions and for the main screen broadcast.

Therefore, on the automated ticker side, the layouts needed to change automatically, while on the main screen, the operators needed to guarantee the scenes were going to look correct, regardless of what matches were played.

This meant the XPression scenes required a lot of Visual Logic, a feature that made it easy to program the different layouts in XPression.